I missed the main drinking session of the geekfest, due to continued illness. However, a couple of the "delegates" were at my Manchester place on Thursday night after kindly meeting me at the train station with offerings of beer and breezers. Pity I wasn't in a fit enough state to be a charming hostess, however, my boyfriend was also there and he made up for the manners I missed.
Friday was spent mainly in bed feeling like I was dying and Saturday was only fractionally better. The coughing spasms have left me with a pain in my chest and across my shoulder and I'm now having difficulty getting into a position where I'm comfortable, and to make matters worse I've taken all the paracetamol based pain killers I dare and they haven't worked.
I just have to keep reminding myself that things can only get better.
Sunday, June 29, 2003
Thursday, June 26, 2003
Blargh!!!
Well I missed the Holyrood tonight, which has upset me mightily. But seeing as I am laid low and in bed with a horrible flu bug I didn't think I would be popular if I spread it around. It's a nasty little bug too - gone straight for the chest, and as I have asthma it's a double whammy. I'm actually at the point where my ribs hurt from coughing and I am struggling to breathe.
I just hope I am okay for the weekend as it's the nixhelp geekfest, and I don't want to miss out on a full weekend of drinking, geeking, drinking and taking the piss with the bunch of psychos that I spend most of my free time communicating with via IRC.
An update will no doubt follow once I've sobered up after the event, assuming I can remember anything about it.
I just hope I am okay for the weekend as it's the nixhelp geekfest, and I don't want to miss out on a full weekend of drinking, geeking, drinking and taking the piss with the bunch of psychos that I spend most of my free time communicating with via IRC.
An update will no doubt follow once I've sobered up after the event, assuming I can remember anything about it.
Tuesday, June 24, 2003
Charles Laughton Directs.....
The Night of the Hunter
Sunday night I went to the Filmhouse in Edinburgh with and to a special screening of The Night of the Hunter.
I have always though that this was one of the best films I've ever seen and so finding that almost all of the original film rushes and out-takes still survived intrigued me. Added to this the fact that the director, Charles Laughton, kept the camera running between takes giving the opportunity to see how he interacted with his actors meant that I was eager to see the film, the rushes and hear the talk that was given.
In the past when I have been to other special screenings of this type, it has usually been someone giving a talk about the film whilst showing various clips to illustrate the points being made, followed by a showing of the film in question. In this case the showing was, in the words of Robert Gitt (the presenter) "the film with narration". Gitt commenced his talk by briefly going over the career of Charles Laughton, who was well know as an actor in films such as "Mutiny on the Bounty" (1935 - opposite Clark Gable as Fletcher Christian); "The Private Life of Henry VIII (1933) and, perhaps my favorite, David Lean's wonderfully executed "Hobsons Choice" (1953). Our lecturer for the evening then told of the history of the cuttings collection, and described what we were going to see, this being the film made up from the best bits of the rushes and out-takes. At this point he started the film.
From here on in, we had the film almost in its entirety, starting from the original idea to make a film of Davis Grubb's novel of the same name, through to the appalling marketing of the film studio. As each new person was added to the project a short biography was given which also explained how they gained their part in the film project. Laughton, who in his best roles tended to play overbearing tyrants, was surprising by the way be elicited performances from his actors in particular the two children, 12 year-old Billy Chapin as John and Sally Jane Bruce who, at 5½ years, was an absolute star as Pearl. Laughtons technique of keeping the camera running between takes allowed us to see the way he explained what he wanted and then gently coaxed the performance out of them. Sally, even for a young child was so professional, to the point that in some scenes she was rebuking Robert Mitchum (already a Hollywood star) for forgetting his lines.
There was only one scene where Laughton appeared to be a tyrant as a director and this was with Shelly Winters, though the question was raised did he shout at her because he was really angry, or was it an act on his part to make her feel as humiliated as the character she was portraying? Based on the other interactions with his actors I would say it was the latter.
Altogether I found it a most entertaining and enlightening evening, and I would certainly recommend that if you ever get the chance to see this film by the UCLA Film Archive take it as you will not be disappointed. Though as the very least you should see the film as released.
Sunday night I went to the Filmhouse in Edinburgh with
I have always though that this was one of the best films I've ever seen and so finding that almost all of the original film rushes and out-takes still survived intrigued me. Added to this the fact that the director, Charles Laughton, kept the camera running between takes giving the opportunity to see how he interacted with his actors meant that I was eager to see the film, the rushes and hear the talk that was given.
In the past when I have been to other special screenings of this type, it has usually been someone giving a talk about the film whilst showing various clips to illustrate the points being made, followed by a showing of the film in question. In this case the showing was, in the words of Robert Gitt (the presenter) "the film with narration". Gitt commenced his talk by briefly going over the career of Charles Laughton, who was well know as an actor in films such as "Mutiny on the Bounty" (1935 - opposite Clark Gable as Fletcher Christian); "The Private Life of Henry VIII (1933) and, perhaps my favorite, David Lean's wonderfully executed "Hobsons Choice" (1953). Our lecturer for the evening then told of the history of the cuttings collection, and described what we were going to see, this being the film made up from the best bits of the rushes and out-takes. At this point he started the film.
From here on in, we had the film almost in its entirety, starting from the original idea to make a film of Davis Grubb's novel of the same name, through to the appalling marketing of the film studio. As each new person was added to the project a short biography was given which also explained how they gained their part in the film project. Laughton, who in his best roles tended to play overbearing tyrants, was surprising by the way be elicited performances from his actors in particular the two children, 12 year-old Billy Chapin as John and Sally Jane Bruce who, at 5½ years, was an absolute star as Pearl. Laughtons technique of keeping the camera running between takes allowed us to see the way he explained what he wanted and then gently coaxed the performance out of them. Sally, even for a young child was so professional, to the point that in some scenes she was rebuking Robert Mitchum (already a Hollywood star) for forgetting his lines.
There was only one scene where Laughton appeared to be a tyrant as a director and this was with Shelly Winters, though the question was raised did he shout at her because he was really angry, or was it an act on his part to make her feel as humiliated as the character she was portraying? Based on the other interactions with his actors I would say it was the latter.
Altogether I found it a most entertaining and enlightening evening, and I would certainly recommend that if you ever get the chance to see this film by the UCLA Film Archive take it as you will not be disappointed. Though as the very least you should see the film as released.
Wednesday, June 04, 2003
Patricia Winmill - 14/03/1945 - 01/06/2003
As those who read my journal will know I have been agonising over what I should be doing during my mother's illness from cancer. Her suffering is now over. She died peacefully at St Gemma's Hospice in Leeds at 23:25 on Sunday evening. She fought the "nasty little bugger" to the end, but in her final moments she must have realised that this was one battle she couldn't win and gave up the fight. I was with her round the clock from the very early hours of Saturday. Although she couldn't speak much - the drugs were making her sleepy - she was aware of her surroundings and if she felt that we were talking over her she let it be known with frowns and other gestures.
There are a few members of the live-journal community that knew her and they will know what a huge personality she had. Her passing will leave a huge gap in many people's lives and the one thing I am finding from talking to her friends is that those who knew her loved her.
I'm sorry that I couldn't be with her more during the final months of her life and that I wasn't there will be a burden I shall carry for many years, but in the end we were able to communicate and I was able to say my goodbyes. She died knowing how much both I and my partner, Paul, loved her, and that we will always miss her.
Funeral arrangements are being put into place for the morning of Tuesday, 10/06/2003. The family in general and myself in particular would ask that friends who wish to pay tribute do so by making a donation to St Gemma's Hospice in Leeds, whose care and compassion for both patients and relatives was wonderful.
There are a few members of the live-journal community that knew her and they will know what a huge personality she had. Her passing will leave a huge gap in many people's lives and the one thing I am finding from talking to her friends is that those who knew her loved her.
I'm sorry that I couldn't be with her more during the final months of her life and that I wasn't there will be a burden I shall carry for many years, but in the end we were able to communicate and I was able to say my goodbyes. She died knowing how much both I and my partner, Paul, loved her, and that we will always miss her.
Funeral arrangements are being put into place for the morning of Tuesday, 10/06/2003. The family in general and myself in particular would ask that friends who wish to pay tribute do so by making a donation to St Gemma's Hospice in Leeds, whose care and compassion for both patients and relatives was wonderful.
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